Description : The Story of a Childhood and The Story of a Return The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. This is a beautiful and intimate story full of tragedy and humour - raw, honest and incredibly illuminating.
Description : This book investigates the various reasons behind the elevation of the memoir, previously categorized as a marginalized form of life writing that denudes the private space of women, especially in Western Asian countries such as Iran. Through a comparative investigation of Azar Nafisi’s Reading Lolita in Tehran and Marjane Satrapi’s Persepolis (1) and (2), the book examines the way both narrative and graphic memoirs offer possibilities for Iranian women to reclaim new territory, transgress a post-traumatic revolution, and reconstruct a new model of womanhood that evades socio-political and religious restrictions. Exile is conceptualized as empowering rather than a continued status of loss and disillusionment, and the liminality of both women writers turns into a space of artistic production. The book also resists the New Orientalist scope within which Reading Lolita in Tehran, more than Persepolis, has been misread. In order to reject these allegations, this work sheds light on the representation of Iranian women in Reading Lolita in Tehran, not as weak victims held captive by a totalitarian version of Islam, but as active participants rewriting their stories through the liberating power of the memoir. The comparative approach between narrative and comic memoirs is a fruitful way of displaying similar experiences of disillusionment, loss, return, and exile through different techniques. The common thread uniting both memoirs is their zeal to reclaim Iranian women’s agency and strength over subservience and passivity.
Description : The internationally acclaimed films Persepolis and Waltz with Bashir only hinted at the vibrant animation culture that exists within the Middle East and North Africa. In spite of censorship, oppression and war, animation studios have thrived in recent years - in Egypt, Iran, Iraq, Lebanon, Morocco, Palestine, Syria and Turkey - giving rise to a whole new generation of entrepreneurs and artists. The success of animation in the Middle East is in part a product of a changing cultural climate, which is increasingly calling for art that reflects politics. Equally, the professionalization and popularization of film festivals and the emergence of animation studios and private initiatives are the results of a growing consumer culture, in which family-friendly entertainment is big business. Animation in the Middle East uncovers the history and politics that have defined the practice and study of animation in the Middle East, and explores the innovative visions of contemporary animators in the region.
Description : DIY Resistance celebrates the power of the people and shows how readers can take inspiration from the actions and words of leaders, activists, and historical heroes; how we can learn to take care of ourselves physically and emotionally in troubled times, and do our part to look after the larger community around us. Our fight is not a new one. It has been going on continuously for thousands of years, as individuals and movements have stood up to despots and demagogues. DIY Resistance recalls the successful actions people's movements use to defeat tyrants: defend free speech, look after your community, fight racism and misogyny, organize, protest, network, publish. The lessons of successful resistance are rich and they are everywhere around us. Take note, find your inspiration and your strength, and join others around you who share your commitment.
Description : From the author of Persepolis, comes this illustrated fairy tale. Rose is one of three daughters of a rich merchant who always brings gifts for his girls from the market. One day Rose asks for the seed of a blue bean, but he fails to find one for her. She lets out a sigh in resignation, and her sigh attracts the Sigh, a mysterious being that brings the seed she desired to the merchant. But every debt has to be paid, and every gift has a price, and the Sigh returns a year later to take the merchant's daughter to a secret and distant palace.
Description : The author relates the story of her great-uncle, Nasser Ali Khan, one of Iran's most acclaimed musicians, who discovers that his beloved instrument has been irrevocably damaged and renounces the world, its pleasures, and life itself.
Description : Some of the most noteworthy graphic novels and comic books of recent years have been entirely autobiographical. In Graphic Subjects, Michael A. Chaney brings together a lively mix of scholars to examine the use of autobiography within graphic novels, including such critically acclaimed examples as Art Spiegelman’s Maus, David Beauchard’s Epileptic, Marjane Satrapi’s Persepolis, Alan Moore’s Watchmen, and Gene Yang’s American Born Chinese. These essays, accompanied by visual examples, illuminate the new horizons that illustrated autobiographical narrative creates. The volume insightfully highlights the ways that graphic novelists and literary cartoonists have incorporated history, experience, and life stories into their work. The result is a challenging and innovative collection that reveals the combined power of autobiography and the graphic novel.
Description : After leaving Iran and moving to Europe in 2004, Parsua Bashi (*1966 Tehran) decided to draw and write a comic book to deal with the turn of events that led to her emigration—among others the divorce from her Iranian husband, and the denial of any contact to her daughter issued by the court, the ostracism she faced as a young divorced woman—in addition to the shock, astonishment, and delight she experienced discovering life in the West.Bashi articulates through cartoon graphics confrontations with her multiple selves as intellectual adversaries or emotional supporters: as an optimistic six-year old girl; as a proud, emancipated, and successful Persian designer; or as a grieving mother defeated by a patriarchal society, its courts, and Iranian Shiite law. Through flashbacks she shares a glimpse of life in Iran and, in spite of everything, her pride in and identification with her country.Chapters on immigration and language, home-sickness, fashion, politics, etiquette and luxury, Persian pride (and arrogance) and education, and thoughts about the relationships between men and women address the incongruities of Bashi's upbringing with the rationale of daily life in the West within this autobiographical graphic novel.This novel is a collection of stories about life in Iran; as a student, during wartime... and as counterpart to the author's new life in Switzerland, recounting how she found creative inspiration, and many dialogues with one of her former selves
Description : With its breezy reviews and insightful advice, 100 Places Every Woman Should Go encourages women of any age to see the world — in a group, with a friend, or solo — and inspires them to create their own list of dreams. Based on her own explorations of many countries, states, and regions, and on interviews with travelers, award-winning author Stephanie Elizondo Griest highlights 100 special destinations and challenging activities — from diving for pearls in Bahrain to racing a camel, yak, or pony across Mongolia; to dancing with voodoo priestesses in Benin and urban cowboys in Texas; to taking a mud bath in a volcano off the coast of Colombia. Divided into such sections as “Places Where Women Made History,” “Places of Indulgence,” and “Places of Adventure,” this guidebook includes timely contact information, resources, and recommended reading. “Ten Tips For Wandering Women” features safety precautions plus pointers on haggling, packing, and staying parasite-free. Vivid portraits of free spirits like Frida Kahlo (“A tequila-slamming, dirty joke-telling smoker, this famous artist was bisexual and beautiful”) help travelers expand their experience.
Description : In recent years adaptation studies has established itself as a discipline in its own right, separate from translation studies. The bulk of its activity to date has been restricted to literature and film departments, focussing on questions of textual transfer and adaptation of text to film. It is however, much more interdisciplinary, and is not simply a case of transferring content from one medium to another. This collection furthers the research into exactly what the act of adaptation involves and whether it differs from other acts of textual rewriting. In addition, the 'cultural turn' in translation studies has prompted many scholars to consider adaptation as a form of inter-semiotic translation. But what does this mean, and how can we best theorize it? What are the semiotic systems that underlie translation and adaptation? Containing theoretical chapters and personal accounts of actual adaptions and translations, this is an original contribution to translation and adaptation studies which will appeal to researchers and graduate students.