Description : Our Day Out and other plays is a stimulating collection of four of Willy Russell's most popular scripts. With a wit that is distinctly Liverpudlian, he gives us not only an insight into many of today's social problems but also evokes our sympathy for some of life's losers.
Description : This third edition of the UK's best-selling filmmaker's bible, builds upon the most successful features of the previous books. Including illustrations, diagrams, and box-outs, this book comes with a DVD, packed with further interviews with filmmakers, as well as theatrical trailers.
Description : Introductory texts in psychology present an opportunity to discover reasons for human behaviour and address the issues which impact upon their behaviour. This first Australian and New Zealand adaptation of the well respected Psychology 9th edition, by Bernstein et al. continues to strike a balance between classical and contemporary topics with an easy to read, comprehensive, research-oriented approach. The text takes an active learning approach with the use of hallmark pedagogical features such as Linkages, Focus on Research Methods, and Thinking Critically. Features enriching this adaptation include research, issues and examples of psychology relevant to the Australian and New Zealand regional perspective; indigenous research; graduate attributes and psychological literacy sections; other cultural and international considerations, and extended online appendices for searching psychology databases and careers in psychology.
Description : We must seek to build a Russia based on three sound principlesPeaceLandand Bread. NOTHING ELSE!!! William Donaldson, newly promoted Charge dAffaires for the United States Embassy in Petrograd, (formerly Saint Petersburg) Russia, could only cringe at hearing Lenins stirring proclamation announcing the primary goals for the Petrograd Soviet. These ambitious words ran counter to the aims of his employerthe American government. As an American diplomat during the administration of President Woodrow Wilson, William is obligated to support his countrys self-serving objectives. But as the husband to Sonjya Mastrova, a Russian nation, William is torn: must he care out his duty or advocate a cause which he knows in his heart to be morally and ethically right? Since he was a conscripted diplomat, being named embassy charge daffaires should have been the crowning achievement for William Donaldson. However, as Russia spirals ever deeper into chaos and revolution, his posting becomes a curse. Caught up in a web of intrigue woven by Americas inept, luxury-loving ambassadors, William is a witness to the final overthrow of Russias imperial family. His dealings with the weak Russian provisional government will provide William with a textbook example chronicling the pitfalls of democracy. As the faltering democratic provisional government splinters and becomes mired in gridlock, the Russian people become truly desperate. Knowing how desperate people will do desperate things, the situation becomes ripe for Vladimir Lenin and his henchmen to finally implement their own vision for Russias future without any annoying outside interference. When that model is forcibly imposed, William can only lament at what he sees as the consequence for the Russian people of being yoked to the science of communism: Is Russias exploited peasant population any better off than they were before?
Description : Guy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing else in Canadian film. My Winnipeg (2008), which Roger Ebert called one of the ten best films of the first decade of the twenty-first century, has consolidated Maddin's international reputation. In this sixth volume of the Canadian Cinema series, Darren Wershler argues that Maddin's use of techniques and media that fall outside of the normal repertoire of contemporary cinema require us to re-examine what we think we know about the documentary genre and even 'film' itself. Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate.
Description : The former governor recounts his gubernatorial years, discussing his decision not to seek a second term, frustration with internal corruption in the two-party system, suspicions about the September 11 attacks, and views on the war in Iraq.