Description : Show Boat: Performing Race in an American Musical tells the full story of the making and remaking of the most important musical in Broadway history. Drawing on exhaustive archival research and including much new information from early draft scripts and scores, this book reveals how Oscar Hammerstein II and Jerome Kern created Show Boat in the crucible of the Jazz Age to fit the talents of the show's original 1927 cast. After showing how major figures such as Paul Robeson and Helen Morgan defined the content of the show, the book goes on to detail how Show Boat was altered by later directors, choreographers, and performers up to the end of the twentieth century. All the major New York productions are covered, as are five important London productions and four Hollywood versions. Again and again, the story of Show Boat circles back to the power of performers to remake the show, winning appreciative audiences for over seven decades. Unlike most Broadway musicals, Show Boat put black and white performers side by side. This book is the first to take Show Boat's innovative interracial cast as the defining feature of the show. From its beginnings, Show Boat juxtaposed the talents of black and white performers and mixed the conventions of white-cast operetta and the black-cast musical. Bringing black and white onto the same stage -- revealing the mixed-race roots of musical comedy -- Show Boat stimulated creative artists and performers to renegotiate the color line as expressed in the American musical. This tremendous longevity allowed Show Boat to enter a creative dialogue with the full span of Broadway history. Show Boat's voyage through the twentieth century offers a vantage point on more than just the Broadway musical. It tells a complex tale of interracial encounter performed in popular music and dance on the national stage during a century of profound transformations.
Description : A chronologically arranged reference book on the Hollywood musical, with each entry including pertinent facts about a film and a brief essay about the plot and production. Includes hundreds of black & white stills.
Description : Lace St. Thomas operates Immaculate Perception, a hot Vegas firm that pairs wealthy clients with sexy female escorts. But when one of her most requested girls turns up dead, Lace knows she's in real danger. Renaming herself Honey Thomas, she flees to Atlanta to start a new life. But her past is not so easily left behind, and it will take everything Honey has to flip this bad-news script and fight to save everything she's worked for.
Description : In the spare and deliberate stories in The Empire of the Dead, through situations both comic and bluntly melancholy, the future remains open for people—but at an indeterminate cost. Daily, characters weigh their indecision against the consequences of choice. Through a series of five linked stories, we meet Bern, a New York City architect yearning for a return to "first principles"—the "initial euphoria, the falling-in-love" that led him to consider a life devoted to sheltering others. In his ministrations to colleagues and friends, his memories of magical building feats now in the past, he learns the limits and the expansiveness of joy and need. In another tale, we meet a young painter in a Gulf Coast refinery town struggling to differentiate beauty from affliction. His sister’s encounter with the singer Janis Joplin causes him to reconsider the nature of saintliness. And in the novella "The Magnitudes," a planetarium director, grieving over the unexpected loss of his parents, must learn how much of the universe—both the real sky beyond his reach and the firmament cast upon the planetarium dome—he can control. Like the other characters in Tracy Daugherty’s masterful collection, he moves through spaces at once sacred and spoiled, within cities, deserts, and other strange environments, reckoning, taking soundings, trying to find firm footing in the world.
Description : Jerome Kern (1885-1945) is considered one of the most versatile and influential of all American theatre and film composers. The Jerome Kern Encyclopedia consists of entries on people, theatre and film musicals, songs, subjects, and themes related to the composer. Not only are all of Kern’s stage and screen projects covered, but there are also entries on all the major librettists and lyricists with whom he worked, as well as producers, directors, actors, and other individuals who figured prominently in his career. Approximately 100 of Kern’s most important songs are discussed, and other entries address awards, collaborations, working methods, song styles, and other related subjects. The encyclopedia also includes a brief biography of Kern, a chronology of his life and work, and appendices on recordings, interpolations, revivals, and remakes.
Description : The glorious tradition of the Broadway musical from Irving Berlin to Jerome Kern and Rodgers and Hammerstein to Stephen Sondheim. And then . . . Cats and Les Miz. Mark Steyn's Broadway Babies Say Goodnight is a sharp-eyed view of the whole span of Broadway musical history, seven decades of brilliant achievements the best of which are among the finest works American artists have made. Show Boat, Oklahoma!, Carousel, Gypsy, and more. In an energetic blend of musical history, analysis, and backstage chat, Mark Steyn shows us the genius behind the 'simple' musical, and asks hard questions about the British invasion of Broadway and the future of the form. In this delicious book he gives us geniuses and monsters, hits and atomic bombs, and the wonderful stories that prove show business is a business which -- as the song goes --there's no business like.
Description : Winner of the August Derleth Award, No One Gets Out Alive is the ultimate haunted house thriller from horror writer Adam Nevill. Darkness lives within . . . Cash-strapped, working for agencies and living in shared accommodation, Stephanie Booth feels she can fall no further. So when she takes a new room at the right price, she believes her luck has finally turned. But 82 Edgware Road is not what it appears to be. It's not only the eerie atmosphere of the vast, neglected house, or the disturbing attitude of her new landlord, Knacker McGuire, that makes her uneasy - it's the whispers behind the fireplace, the scratching beneath floors, the footsteps in the dark, and the young women weeping in neighbouring rooms. And when Knacker's cousin Fergal arrives, the danger goes vertical. But this is merely a beginning, a gateway to horrors beyond Stephanie's worst nightmares. And in a house where no one listens to the screams, will she ever get out alive?