Description : A powerful collection of commentary on the Holocaust by international writers from nine disciplines. The volume forms a response to the Holocaust's demands on memory and on thought, and is an occasion to encounter the Holocaust both as history and as possibility. Contributors provided essays on art, politics, law, and education. The 38 contributors include: Stephen Feinstein, Director, Center for Holocaust and Genocide Studies; Carol Ann Reed, Director, Holocaust Education and Memorial Centre of Toronto; Sid Chafetz, artist and professor of art; Henry Friedlander, professor of history, Brooklyn College; David M. Crowe, professor of history, Elon College; Mark Osiel, professor of law, University of Iowa; James E. Young, professor of English and Judaic studies, University of Massachusetts at Amherst; Sybil Milton, Vice-President, Independent Experts: Switzerland-World War II; and Zygmunt Bauman, emeritus professor of sociology, University of Leeds. The book has won several awards, including the Tom Fairley Award for Editorial Excellence, Second Place, to copyeditor Carol Berger.
Description : To forget after Auschwitz is considered barbaric. Baer and Sznaider question this assumption not only in regard to the Holocaust but to other political crimes as well. The duties of memory surrounding the Holocaust have spread around the globe and interacted with other narratives of victimization that demand equal treatment. Are there crimes that must be forgotten and others that should be remembered? In this book the authors examine the effects of a globalized Holocaust culture on the ways in which individuals and groups understand the moral and political significance of their respective histories of extreme political violence. Do such transnational memories facilitate or hamper the task of coming to terms with and overcoming divisive pasts? Taking Argentina, Spain and a number of sites in post-communist Europe as test cases, this book illustrates the transformation from a nationally oriented ethics to a trans-national one. The authors look at media, scholarly discourse, NGOs dealing with human rights and memory, museums and memorial sites, and examine how a new generation of memory activists revisits the past to construct a new future. Baer and Sznaider follow these attempts to manoeuvre between the duties of remembrance and the benefits of forgetting. This, the authors argue, is the "ethics of Never Again."
Description : The victim, a Jew who had survived the holocaust gets murdered at the harness race track in Peterborough. His friends are war veterans who form an amateur sleuth group to catch the murderer. The police have few clues and give up. The group is made up of retired men, who would rather spend their time fishing and playing golf than be the only ones to track down the killer. During their search for the murderer they come up against a clever thief who leads them a merry but violent chase. This thief is their chief suspect. The leader of the group is a well to do retired school teacher. Part of the pursuit is experienced at his cottage were they run up against an unexpected obstacle. Another of their group, George is an ex-policeman and is a joker who is egged on by the jokes their church secretary unwittingly puts in the church bulletin on Sundays. George provides the comic relief, until they finally solve this puzzling crime. Robert the third member of the core group is an immigrant from Scotland. He flew spitfires in the Battle of Britain and was aloft dog fighting when his family gets wiped out by Nazi bombers. He comes to Peterborough to get away.
Description : When two Hungarian Jewish refugees landed by accident in Britain in the winter of 1956, they had little idea what the future would hold. But they carried with them the traces of their turbulent past, just enough to provide the clues to their past. Resurrecting 200 years of wars and revolutions, from the Austro-Hungarian Empire via two totalitarianisms to contemporary Britain, and through the remnants of family possessions and old memories, Nick Barlay retraces the footsteps of the vanished. There is the death march of a grandfather, the military manoeuvres of a great uncle, the final weeks and moments of a great grandmother deported to Auschwitz, two boys' survival of an untold massacre and codenamed spies operating in Cold War Britain. Scattered Ghosts is the poignant, powerful story of an all but disappeared world, told through the extraordinary experiences of a single family ruptured by great forces and occasionally brought together by cherry strudel.
Description : In modern-day Ukraine, east of the Carpathian Mountains, there is an invisible city. Known as Czernowitz, the "Vienna of the East" under the Habsburg empire, this vibrant Jewish-German Eastern European culture vanished after World War II—yet an idealized version lives on, suspended in the memories of its dispersed people and passed down to their children like a precious and haunted heirloom. In this original blend of history and communal memoir, Marianne Hirsch and Leo Spitzer chronicle the city's survival in personal, familial, and cultural memory. They find evidence of a cosmopolitan culture of nostalgic lore—but also of oppression, shattered promises, and shadows of the Holocaust in Romania. Hirsch and Spitzer present the first historical account of Jewish Czernowitz in the English language and offer a profound analysis of memory's echo across generations.
Description : This is a collection of sixteen short stories written by poet and author Sara Megan Kay between the years 1994-2005. The genres covered here include romance, action, science fiction, young adult, mystery & suspense, and war. There is bound to be something for everyone in this collection whether you are a sci-fi nerd, a hopeless romantic, a vampire enthusiast, a drama queen or a conspiracy theorist. If you or someone you know fits any of those descriptions, please purchase a copy today and help support the passions and dreams of an independent writer.
Description : "Disciplining the Holocaust examines critics' efforts to defend a rigorous and morally appropriate image of the Holocaust. Rather than limiting herself to polemics about the "proper" approach to traumatic history, Karyn Ball explores recent trends in intellectual history that govern a contemporary ethics of scholarship about the Holocaust. She examines the scholarly reception of Goldhagen's Hitler's Willing Executioners, the debates culminating in Eisenman's Memorial to the Murdered Jews of Europe in Berlin, Lyotard's response to negations of testimony about the gas chambers, psychoanalytically informed frameworks for the critical study of traumatic history, and a conference on feminist approaches to the Holocaust and genocide. Ball's book bridges the gap between psychoanalysis and Foucault's understanding of disciplinary power in order to highlight the social implications of traumatic history."--BOOK JACKET.
Description : Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. Contributors provide case studies that include a broad spectrum of artists from North America, Europe and Israel, and examine some of the dominant themes of their work. Contents include: "Picturing Death: Better This than Silence," Robert Poor "Probing the Limits of the Politics of Representation," Jeremy Varon "After Auschwitz: Art and the Holocaust Six Decades Later," Monica Bohm-Duchen "Jewish Artists in New York: The 1940s," Matthew Baigell "From the Sublime to the Abject: Art and the Holocaust Six Decades Later," Andrew Weinstein "R.B. Kitaj's 'Good Bad' Diasporism and the Body in American Jewish Postmodern Art," Sander Gilman "Bak's Variations on a Theme by Bak," Lawrence Langer "Toward a Post-Holocaust Theology in Art: The Search for the Absent and Present God," Stephen Feinstein "How to Remember," Nancy Weston "Disaster Art: A Plea Against the Peripheral Stuff," Pier Marton "Conversations with Rzeszow: An Artist's Journey," Joyce Lyon "Haunting the Empty Place," Ziva Amishai-Maisels