Description : Death of a New American by Mariah Fredericks is the atmospheric, compelling follow-up to the stunning debut A Death of No Importance, featuring series character, Jane Prescott. In 1912, as New York reels from the news of the Titanic disaster, ladies’ maid Jane Prescott travels to Long Island with the Benchley family. Their daughter Louise is to marry William Tyler, at their uncle and aunt’s mansion; the Tylers are a glamorous, storied couple, their past filled with travel and adventure. Now, Charles Tyler is known for putting down New York’s notorious Italian mafia, the Black Hand, and his wife Alva has settled into domestic life. As the city visitors adjust to the rhythms of the household, and plan Louise’s upcoming wedding, Jane quickly befriends the Tyler children’s nanny, Sofia—a young Italian-American woman. However, one unusually sultry spring night, Jane is woken by a scream from the nursery—and rushes in to find Sofia murdered, and the carefully locked window flung open. The Tylers believe that this is an attempted kidnapping of their baby gone wrong; a warning from the criminal underworld to Charles Tyler. But Jane is asked to help with the investigation by her friend, journalist Michael Behan, who knows that she is uniquely placed to see what other tensions may simmer just below the surface in this wealthy, secretive household. Was Sofia’s murder fall-out from the social tensions rife in New York, or could it be a much more personal crime?
Description : The Good Death is the first full-scale examination of one of today's most complex issues: the profound change in the way Americans think about and confront death. Drawing on more than six years of firsthand research and reporting, noted journalist Marilyn Webb builds her account around intimate portraits of the dying themselves. She explains why some deaths become shockingly difficult--and needlessly painful--and how the struggles over end-of-life decisions can pit patient and family against hospitals, doctors, insurance companies, religious groups, and the law. But there is good news as well. Webb describes many extraordinary programs and individuals who are changing the face of dying. An abundant source of comfort and hope, The Good Death shows how the essential elements of humane--even uplifted--death are available to all of us, if we know what is possible, where to go for help, and how to prepare.
Description : With A Death in Wichita (originally published as The Wichita Divide) New York Times bestselling author Stephen Singular offers an in-depth account of the life and death of a controversial doctor, the debate that sparked his assassination, and the place where two Americas collide On May 31, 2009, Scott Roeder walked into a Wichita church, drew a pistol, and shot Dr. George Tiller at point blank range. Tiller, who was the most public practitioner of late-term abortions in America, had been a lightning rod for controversy, regularly referred to in the conservative media as "Tiller, the Baby Killer." Tiller's death was a pivotal, public murder in a war that has been raging for decades. It's a war of violently opposing ideologies, encompassing abortion, but also questions of privacy, sexuality, and religion. It's being fought in our nation's courtrooms, school and churches, on television sets, at our dinner tables, and in our bedrooms. And more and more, the key battlegrounds are in Kansas, once home to Brown vs. Board of Education and some of the bloodiest conflicts of the Civil War. A Death in Wichita is a gripping look at a cold-blooded terrorist action, two men representing opposite ideological extremes, and the region where those violent forces clash. "A disturbing, haunting journey into unrepentant hatred." - Kirkus Reviews
Description : Uninsured in America goes to the heart of why more than forty million Americans are falling through the cracks in the health care system, and what it means for society as a whole when so many people suffer the consequences of inadequate medical care. Based on interviews with 120 uninsured men and women and dozens of medical providers, policymakers, and advocates from around the nation, this book takes a fresh look at one of the most important social issues facing the United States today. A new afterword updates the stories of many of the people who are so memorably presented here.
Description : In the post-9/11 moments, months, and years, America has come to develop a new mortality awareness. Death, and our understanding that it can be sudden and is certainly inevitable, is being talked about more than ever before. As the team in this volume shows through groundbreaking research, surveys, interviews, and vignettes, death awareness has grown strong, and has changed the way we think and act, not only in relation to ourselves and our loved ones, but in relation to society overall. Those changes include nuances from increases in the number and size of college courses focused on death, rapid growth of death books, death photography, television shows dealing with death, as well as the recording and dissemination of death videos from those that show family members dying peacefully to the execution of terrorists or their captives. Impromptu street creations to memorialize common people who have died have emerged, as have new ways to dispose of dead bodies, including blasting ashes into space or placing them under the sea or giving them a green resting place in a natural forest. Our means of grieving, coping, and beliefs about afterlife have been altered, too. This work also includes a look at cosmologists and physicists who have revised their theories on humanity's legacy when our world meets a fateful end, who propose a means by which mankind's achievements might survive indefinitely, transporting from one universe to another without violating the known laws of physics. This book will intrigue all with an interest in considering not only death and how 9/11 changed America's views on and beliefs about it, but also considering what could lie beyond that end for all of us.
Description : Death of an American Beauty is the third in Mariah Fredericks's compelling series, set in Gilded Age New York, featuring Jane Prescott. Jane Prescott is taking a break from her duties as lady’s maid for a week, and plans to begin it with attending the hottest and most scandalous show in town: the opening of an art exhibition, showcasing the cubists, that is shocking New York City. 1913 is also the fiftieth anniversary of Lincoln’s Emancipation Proclamation speech, and the city's great and good are determined to celebrate in style. Dolly Rutherford, heiress to the glamorous Rutherford’s department store empire, has gathered her coterie of society ladies to put on a play—with Jane’s employer Louise Tyler in the starring role as Lincoln himself. Jane is torn between helping the ladies with their costumes and enjoying her holiday. But fate decides she will do neither, when a woman is found murdered outside Jane’s childhood home—a refuge for women run by her uncle. Deeply troubled as her uncle falls under suspicion and haunted by memories of a woman she once knew, Jane—with the help of old friends and new acquaintances, reporter Michael Behan and music hall pianist Leo Hirschfeld—is determined to discover who is making death into their own twisted art form.
Description : DEATH, AMERICAN STYLE: A CULTURAL HISTORY OF DYING IN AMERICA is the first comprehensive cultural history to explore America’s uneasy relationship with death over the past century.
Description : "A gathering of major importance. . . . Fisher brilliantly articulates the distinctive work of 'new historicism' in treating American texts and circumstances. His introduction, together with the consistently high quality of the essays and their remarkable range of approaches, makes this dramatically superior to earlier collections. . . . As a help to working scholars trying to sort out new developments, and as an introduction for graduate students, this will be the best available guide."--T. Walter Herbert, author of Marquesan Encounters: Melville and the Meaning of Civilization
Description : Taking a closer look at teen film in the 1970s, New American Teenagers uncovers previously marginalized voices that rework the classically male, heterosexual American teenage story. While their parents' era defined the American teenager with the romantic male figure of James Dean, this generation of adolescents offers a dramatically altered picture of transformed gender dynamics, fluid and queered sexuality, and a chilling disregard for the authority of parent, or more specifically, patriarchal culture. Films like The Rocky Horror Picture Show, Halloween, and Badlands offer a reprieve from the 'straight' developmental narrative, including in the canon of study the changing definition of the American teenager. Barbara Brickman is the first to challenge the neglect of this decade in discussions of teen film by establishing the subversive potential and critical revision possible in the narratives of these new teenage voices, particularly in regards to changing notions of gender and sexuality.