Description : This is the personal story of Gavin Maxwell's boyhood, most of which he spent, in fact or in fancy, at the House of Elrig, a lonely, windswept house on the moorlands of Galloway. This is the house which, together with the influence of his relations, shaped his interest in living creatures and his love of wild country and wilderness, and led the way to the life he describes in Ring of Bright Water. It covers his boyhood, public school education in England, and return to Scotland.
Description : This eBook includes the full text of the novel plus the following additional content: • An exclusive preview chapter from Jean M. Auel’s The Land of Painted Caves, on sale in hardcover March 29, 2011 • An Earth’s Children® series sampler including free chapters from the other books in Jean M. Auel’s bestselling series • A Q&A with the author about the Earth’s Children® series Ayla, the heroine first introduced in The Clan of the Cave Bear, is known and loved by millions of readers. Now, in The Plains of Passage, Ayla’s story continues. Ayla and Jondalar set out on horseback across the windswept grasslands of Ice Age Europe. To the hunter-gatherers of their world--who have never seen tame animals--Ayla and Jondalar appear enigmatic and frightening. The mystery surrounding the woman, who speaks with a strange accent and talks to animals with their own sounds, is heightened by her uncanny control of a large, powerful wolf. The tall, yellow-haired man who rides by her side is also held in awe, not only for the magnificent stallion he commands, but also for his skill as a crafter of stone tools, and for the new weapon he devises, the spear-thrower. In the course of their cross-continental odyssey, Ayla and Jondalar encounter both savage enemies and brave friends. Together they learn that the vast and unknown world can be difficult and treacherous, but breathtakingly beautiful and enlightening as well. All the pain and pleasure bring them closer to their ultimate destination, for the orphaned Ayla and the wandering Jondalar must reach that place on earth they can call home. As sweeping and spectacular as the land she creates, Jean M. Auel’s The Plains of Passage is an astonishing novel of discovery, danger, and love, a triumph for one of the world’s most original and popular authors.
Description : Since 1857, hardly a year has gone by without a book or play or monograph or film about the Brontës. Each generation has reimagined Charlotte, Emily, and Anne in ways that reflect changing visions—of the role of the woman writer or of sexuality or of the very concept of personality. Charlotte Brontë has been seen as domestic saint, as sex-starved hysteric, as ambitious literary careerist. Her sister Emily has been furnished with apocryphal lovers of both sexes; has even been denied the authorship of Wuthering Heights by conspiracy theorists who attribute it to her brother, Branwell. Now Lucasta Miller, in The Brontë Myth, shows us how the Brontës became cultural symbols almost as soon as their novels were published; how they became notorious even before the veil dropped from their carefully chosen pseudonyms, as Charlotte’s Jane Eyre and Emily’s Wuthering Heights, appearing out of nowhere, instantly fascinated, inspired, and scandalized English readers. The subsequent discovery that Currer, Ellis, and Acton Bell were three youngish spinsters— parson’s daughters—living rural lives of utmost propriety made interest in the sisters obsessive. Add a supposedly ferocious father and untimely death, to say nothing of the Victorian penchant for seeing noble sacrifice in every possible situation, and the production of legends multiplied. Lucasta Miller provides fascinating insight into the manufacture of cultural myth and how it can distort our memory of the artist even as it obscures the art. She traces the reinterpretations, indeed re-creations, of the Brontës, from Charlotte’s own efforts to soften her dead sisters’ reputations and Mrs. Gaskell’s classic portrait of the artists as exemplary Christian ladies to the fashionably Freudian psychobiographies of the 1920s and ’30s, from counterfeit memorabilia and the promotion of literary tourism to Hollywood representations of gloomy heroines on savage windswept moors. She rescues the Brontës from their admirers and attackers, giving us back three vivid women who, with little formal education, were writing in the days when few women dared to try: geniuses and sisters who, in the words of a household witness in the late 1850s, were “as cheerful and full of spirits as possible.... full of fun and merriment.”
Description : A gripping, twisty story of adultery and scandal from the bestselling author of Our House. 'Tense, twisty and completely addictive' Good Housekeeping 'A nail-biter until the very last pages' Daily Express Some secrets are too dangerous to share . . . When Emily Marr begins an affair with her married neighbour, the celebrated surgeon Arthur Woodhall, she has no idea of the tragedy and scandal their actions will cause. With shattering speed, she becomes the object of a media witchhunt, her only choice to change her identity and vanish. Soon after, Tabby Dewhurst arrives on the Ile de Ré in France, estranged from her family and unable to afford even a room for the night. By chance, she meets Emmie Mason, whose offer of friendship is at odds with her obsession with privacy. As Tabby sinks deeper into Emmie's strange, hidden world, she begins to form suspicions - suspicions that will lead her back to England and to a revelation so shocking she must question everything she knows. Praise for Louise Candlish: 'Twists the knife right up to the very final page' Ruth Ware 'Addictive, twisty and oh so terrifyingly possible' Clare Mackintosh 'Terrifically twisty . . . hooks from the first page' Sunday Times 'Louise Candlish is a great writer; she inhaled me into her nightmarish world where everything we think we know is ripped from under our feet' Fiona Barton 'Keeps you guessing to the end - and beyond' Stylist 'Candlish's writing draws you in immediately' Heat 'A master of her craft' Rosamund Lupton 'A well-crafted story of scandal, identity and infidelity' Sunday Mirror 'Not afraid to tackle darker issues . . . moving and thought-provoking' Daily Mail