Description : “Simply astounding. . . . The Kindly Ones is unmistakably the work of a profoundly gifted writer.” — Time A literary prize-winner that has been an explosive bestseller all over the world, Jonathan Littell’s The Kindly Ones has been called “a brilliant Holocaust novel… a world-class masterpiece of astonishing brutality, originality, and force,” and “relentlessly fascinating, ambitious beyond scope,” by Michael Korda (Ike, With Wings Like Eagles). Destined to join the pantheon of classic epics of war such as Tolstoy’s War and Peace and Vasily Grossman’s Life and Fate, The Kindly Ones offers a profound and gripping experience of the horrors of World War II and the Holocaust.
Description : The Britannica Book of the Year 2012 provides a valuable viewpoint of the people and events that shaped the year and serves as a great reference source for the latest news on the ever changing populations, governments, and economies throughout the world. It is an accurate and comprehensive reference that you will reach for again and again.
Description : Translated from the Russian by Robert & Elizabeth Chandler and Olga Meerson With notes and an afterword by Robert Chandler and Olga Meerson In Andrey Platonov’s The Foundation Pit, a team of workers has been given the job of digging the foundation of an immense edifice, a palatial home for the perfect future that, they are convinced, is at hand. But the harder the team works, the deeper they dig, the more things go wrong, and it becomes clear that what is being dug is not a foundation but an immense grave. The Foundation Pit is Platonov’s most overtly political book, written in direct response to the staggering brutalities of Stalin’s collectivization of Russian agriculture. It is also a literary masterpiece. Seeking to evoke unspeakable realities, Platonov deforms and transforms language in pages that echo both with the alienating doublespeak of power and the stark simplicity of prayer. This English translation is the first and only one to be based on the definitive edition published by Pushkin House in Moscow. It includes extensive notes and, in an appendix, several striking passages deleted by Platonov. Robert Chandler and Olga Meerson’s afterword discusses the historical context and style of Platonov’s most haunted and troubling work.