Description : As darkness falls each night, the corelings rise, demons who well up from the ground like a hellish steam, and when young Arlen decides to brave the night roads and face the demons, he attempts something not dreamt of since ancient times: a stand against the night.
Description : A modern classic now available from Grove Press, Being There is one of the most popular and significant works from a writer of international stature. It is the story of Chauncey Gardiner - Chance, an enigmatic but distinguished man who emerges from nowhere to become an heir to the throne of a Wall Street tycoon, a presidential policy adviser, and a media icon. Truly "a man without qualities," Chance's straightforward responses to popular concerns are heralded as visionary. But though everyone is quoting him, no one is sure what he's really saying. And filling in the blanks in his background proves impossible. Being There is a brilliantly satiric look at the unreality of American media culture that is, if anything, more trenchant now than ever.
Description : "Imre is one of the first openly gay American novels with a happy ending. Described by the author as "a little psychological romance," the narrative follows two men who meet by chance in a cafe in Budapest, where they forge a friendship that leads to a series of mutual revelations and gradual disclosures. With its sympathetic characterizations of homosexual men, Imre's 1906 publication marked a turning point in literature in English." "This edition includes material relating to the novel's origins, contemporary writings on homosexuality, other writings by Prime-Stevenson, and a contemporary review."--BOOK JACKET.
Description : With this provocative and infinitely moving collection of essays, a preeminent critic of our time responds to the profound questions posed by the visual world. For when John Berger writes about Cubism, he writes not only of Braque, Léger, Picasso, and Gris, but of that incredible moment early in this century when the world converged around a marvelouis sense of promise. When he looks at the Modigiliani, he sees a man's infinite love revealed in the elongated lines of the painted figure. Ranging from the Renaissance to the conflagration of Hiroshima; from the Bosphorus to Manhattan; from the woodcarvers of a French village to Goya, Dürer, and Van Gogh; and from private experiences of love and of loss to the major political upheavals of our time, The Sense of Sight encourages us to see with the same breadth, courage, and moral engagement that its author does.