Description : In Film and Television after 9/11, twelve distinguished scholars and critics discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how movies have changed to reflect the new world climate. While some contemporary films offer escapism, the bulk of mainstream American cinema since 9/11 seems centered on the desire to replicate the idea of the ""just war,"" in which military reprisals and escalation of warfare appear to be both inevitable and justified. Films such as Black Hawk Down, Collateral Damage, and We Were Soldiers reflect a renewed audience appetite for narratives of conflict, reminiscent of the wave of filmmaking that surrounded American involvement in World War II. The attacks on the World Trade Center in New York and the Pentagon in Washington have galvanized the American public into a call for action and film critics wonder how this will play out in the months and years to come. How will American films shape the perspectives of other nations? What sort of dialogue do post-9/11 films establish? How do we now re-view the films of our shared cinematic past in light of these recent events? And are we about to replay the events of the 1940s and 1950s, albeit in a hyperstylized, MTV edited format? With an introduction by editor Wheeler Winston Dixon and original essays by leading cinema scholars, Film and Television after 9/11 is the first book to offer critical insights to these and other concerns.
Description : This case-based approach to the philosophical practice modality of logic-based therapy (LBT) demonstrates the utility, versatility, and accessibility of LBT for dealing effectively with the emotions of everyday life, such as anxiety, worry, guilt, anger, and sadness. Through engaging, illustrative case studies, this book serves as a guidebook for philosophical and psychological practitioners, as well as a text for instructors of philosophy and psychotherapy who wish to demonstrate the practical value of philosophy in their respective fields.
Description : First published in 1973, Geoffrey Perrett's portrait of war-time America was immediately hailed as a major retrospective. Perret vividly describes the social, political, and economic fabric of American domestic life from 1939 to 1945, and argues that the World War II years precipitated a crucial, if silent social revolution at home--one that continues to reverberate today.
Description : This is a book about freedom. Above all about the idea that there is often no greater obstacle to freedom than the assumption that it has already been attained. What prison, after all, could be more secure than that deemed to be "the world," where boundaries of action and thought are assumed to define not the limits of the permissible, but the limits of the possible. In the past we have been prisoners of tyrants and dictators, and consequently have needed to win our freedom in very concrete, physical terms. We now need to free ourselves not from a slave ship or a concentration camp, but from many of the illusions fostered in our democratic society. “[A] wise and acute analysis of the way our minds are controlled, not in a totalitarian state, but in a 'democratic' one. Edwards also suggests how we can escape this control in a self-help book which, unlike other books of this genre, connects our inner world of alienation with the world outside.”—Howard Zinn “[A] treatise on what freedom truly means.… Burning All Illusions is an important philosophical and psychology text that should be on every political science curriculum reading list!”—Wisconsin Book Watch
Description : Focuses on the people, places, ideas, and events of the twentieth century and includes facts about such things as Afghanistan, Charles de Gaulle, quantum mechanics, and the founding of the Palestinian movement al-Fatah in 1958.